Making Your Mark: When Ink was Made at Home, pt 2
Last week, we looked at making basic black ink the sort Jane Austen probably use. But black can be dull and boring, right? Where colored inks a thing then?
They absolutely were!
So let’s take a look at how colored inks might have been made.
Glossary of Terms
In case you’ve slept since last week, here’s the glossary of term to help make the recipes make a little more sense.
Allepo galls: galls produced by an Allepo Oak tree
Alum: astringent compound of aluminum and potassium sulphate; mordant that fixes dyes in a material
Avignon berry: also French berry, Persian berry. The fruit of the Avignon bukthorn
Blue galls: high quality galls
Blue Vitriol: copper sulphate; antimicrobial and fungicide
Ceruse: white lead
Cream of tartar: potassium bitartrate; byproduct of wine fermentation
Flake White: pigment made form white lead
Galls: an oak tree’s protective reaction to wasp eggs deposited under its bark.
Green Copperas, also green vitriol, also vitriol of iron, iron sulfate: ferrous sulfate; a mordant that fixes dyes in a material
Gum Arabic: a natural gum originally consisting of the hardened sap of two species of the Acacia tree; thickening and binding agent
Gum tragacanth, also gum adragant: viscous, odorless, tasteless, water-soluble obtained from sap that is drained from the root of certain legume (commonly called goat’s thorn and loco weed) and dried; binding agent especially suitable for powders
Gum water: A remedy for coughs and stomach complaints, made from boiling water and gum arabic.
Indigo: a species of plant used to create blue dye and the dye created from it.
litharge of gold: led oxide mixed with red led
Logwood, also Bloodwood: a species of flowering tree in the legume family, native to Central America and West Indies, produces dyes ranging from red-purples to blues.
Oil of Vitriol: concentrated sulfuric acid
Quick lime: also burnt lime; caustic, alkaline calcium oxide compound
Red Orpiment: deep-colored, orange-yellow arsenic sulfide mineral used in red pigments
Verdigris: poisonous, blue-green copper-based pigment from the patina on copper
Vitriolic acid: sulfuric acid
Colored Inks
Ink was not limited to black–where would the fun in that be. Recipes existed for inks of all the primary colors.
Red Ink
609 . Red Ink . Take a quarter of a pound of the best Brazil wood , ( get it in the log if possible , and rasp or shave it yourself ) one ounce of cream of tartar . and one ounce of alum ; boil these ingredients in a quart of clear water till half is consumed , then add to the ink , when filtered hot , one ounce of gum arabic and one ounce of fine sugar . A little salt added will prevent it from becoming mouldy .
~New famiy receipt book
Blue Ink
191. To make Blue Ink . BLUE ink may be obtained by diluting indigo : and ceruse in gum water .
~Manual of Useful Knowledge
Green Ink
189. To make Green Ink . TAKE an ounce of verdigrise , and having powdered it , put it to a quart of vinegar , and after it has stood two or three days , strain off the fluid , or instead of this use the crystals of verdigrise dissolved in water , then dissolve in a pint of either of these solutions , five drachms of gum arabic , and two drachms of white sugar .
~Manual of Useful Knowledge
Yellow Ink
190. To make Yellow Ink . BOIL two ounces of the French berries in a quart of water , with half an ounce of alum , till one – third of the fluid be evaporated , and then dissolve in it two drachms of gum arabic and one drachm of sugar , and afterwards a drachm of alum powdered .
~Manual of Useful Knowledge
Just for fun—Invisible Ink!
Yes, believe it or not, invisible ink was a thing even in Austen’s day and recipes for it were easily found.
(Easily found, but often rather dangerous or toxic, so be careful…)
617. To make Sympathetic , or Invisible Ink . Let quick lime be quenched in common water , and while quenching let some red orpiment be added to it , ( this , however , ought to be done by placing warm ashes under it for a whole day ) , and let the liquor be filtered and preserved in a glass bottle well corked . Then boil litharge of gold , well pounded , for half an hour , with vinegar , in a brass vessel , and filter the whole through paper , and preserve it also in a bottle closely corked . If you write any thing with this last water , with a clean pen , the writing will be invisible when dry ; but if it be washed over with the first water it will become instantly black . And it is wonderful , that though sheets of paper without number , and even a board , be placed between the invisible writing and the second liquid , it will have the same effect , and turn the writing black , penetrating the wood and paper without leaving any traces of its action , which is certainly surprising .
~New famiy receipt book
194. A way of Writing which will not be Visible , unless you hold the Paper to the Sun , or to the Light of a Candle . TAKE flake white or any other whitening , and dilute it in water impregnated with gum adragant . If you write with this liquor the writing will not be perceivable , unless you hold the paper to the sun or the light of a candle . The reason why it is so is , that the rays of light do not pass with the same facility through the letters , formed with this liquor , as through the other parts of the paper . Man
~Manual of Useful Knowledge
198. Method of Writing on Paper , so that what is written will be invisible till held to the Fire , when it will immediately turn as Black as if written with the finest Black Ink . LETTERS written with oil of vitriol , diluted with as much water as will prevent it from corroding the paper , are perfectly invisible when dry , but instantly appear as black as if written with the finest ink , on being held to the fire . The proportions of the oil of vitriol and water , may be one part oil of vitriol and three parts water .
~Manual of Useful Knowledge
Buying Ink
By now, you might have noticed by now that ink was not easy to make and involved many toxic and dangerous chemicals involved. If one was not inclined to manage these hardships, ink could also be bought ready made.
Stationers, who sold pens and paper, often formulated their own inks as well. Bookshops often dabbled into the same market, featuring books on penmanship and the supplies necessary for practicing it.
A more colorful source of ink came in the form of traveling ink-sellers who would pass through cities and towns, carrying their wares in barrels on the back of donkeys, in their carts or suspended from a bandolier or shoulder strap. Buyers would supply their own bottles for the peddler to fill. While peddler’s ink was often less expensive than shop-bought ink, the quality could be quite variable.
I love colored ink and have a pen cup full of colorful pens on my desk. What about you, do you use colored pens? Tell me in the comments.
Find part one here.
Find more on the art of writing here.
References
Bugbee, Lindsey. Iron Gall Ink: A Timeless Favorite. The Postman Knocks. August 3,2021. Accessed March 3, 3023. https://thepostmansknock.com/iron-gall-ink-a-timeless-favorite/
Gupta, Anisha. The Ins & Outs of Iron Gall Ink. American Philosophical Society. February 25, 2021. Accessed March 7, 2023. https://www.amphilsoc.org/blog/ins-outs-iron-gall-ink
Hurford, Robert. Handwriting in the Time of Jane Austen. PERSUASIONS ON-LINE V.30, NO.1 (Winter 2009). Accessed 11/28/22. https://jasna.org/persuasions/on-line/vol30no1/hurford.html
Kane, Katheryn. Ink-Regency Writing Fluid. The Regency Redingote. September 18, 2009. Accessed December 12, 2022. https://regencyredingote.wordpress.com/2009/09/18/ink-regency-writing-fluid/
Pybus, William. A Manual of Useful Knowledge. Printed for the author by William Rawson: London 1810.
The New Family Receipt book. Squire and Warwick:London. 1811.
Willich, A. F. M. and Cooper, Thomas. The Domestic Encyclopedia. Abraham Small: Philadelphia. 1821.
I’ve always loved coloured inks. My favourite ballpoint or gel pens are purple! Although if I had to make my own ink I fear I would write mostly with pencil!
I agree with Glynis; purple is my favorite. When I tutored younger students, I always took multi-colored gel pens with me. After doing their work, we needed to go over the answers. I would ask, which color they would like to use in checking their answers. I would then let them pick a color and use it to correct their work. You would be surprised at how easily a recalcitrant student would cave for the chance to use colored gel pens. I also agree with Glynis, I would use a pencil if I had to make my own ink. Oh, I am so grateful that God placed me in the present time period so I could use my purple gel pen. Blessings during Holy Week in the manner in which you celebrate.
I still prefer fountain pens and the inks for them come in a plethora of beautiful colors. I keep at least two pens going, one for my desk, one for my journal, and change colors in each of them each time a refill is needed. I use mostly green, purple, turquoise, and brown inks.